![]() ![]() The Fruity Compressor features a ‘Type’ setting, which is very similar to a Knee setting found on a traditional compressor. Of course, these guidelines are very general, and it’s up to you to listen carefully while adjusting your attack and release settings. A fast release is great for maintaining groove and rhythm, especially in faster tracks.A slow release can make a compressor sound more subtle, though too slow, and it can hold on, squashing the dynamics of the instrument.For example, you might use a fast attack if the attack on your picked electric guitar is too pokey. A fast attack is great for controlling ultra-fast transients.We usually recommend using a slow attack setting on drums. A slow attack is great for letting the transient of a sound through, maintaining the dynamics and punch of that instrument.Here are a few attack and release tips that we find work really well most of the time: Once it grabs on, should it let go right away or very gradually? How should your compressor’s gain reduction react once the signal passes above the threshold?ĭo you want it to act on the signal immediately or wait a split second to allow the transient to poke through? ![]() You need to ask yourself a few questions, such as: So many people forget to adjust these controls when setting their compression, which is why they have such a difficult time getting their compression settings to sound musical. Your attack and release controls determine how quickly or slowly your compressor reacts. These tools are great for mastering, though can also be great for keeping ultra-dynamic instruments in check. Brickwall limiters go even higher so that no portion of the signal can pass over the threshold. So, for example, a 2:1 ratio is very light compression, while a 10:1 ratio is extremely aggressive compression.Ī compressor that has a 20:1 ratio or higher is usually referred to as a limiter. Higher first numbers mean more aggressive compression. The ratio control is written like a ratio (2:1, 4:1, 8:1, 10:1, etc.), comparing the amount of compression in dB with the level of the unaffected signal. Your ratio control is how much gain the compressor reduces when your audio signal goes beyond the threshold. The lower you set it, the more of the signal it will compress. If you set the threshold at a relatively high point, it will simply reduce the gain of the transients that are most aggressive. You will set the threshold level using a dB control, which will determine the portion of a signal that the compressor acts on. The threshold is the level where the compressor will begin working. Let’s take a look at some of the basic controls found on compressors and our favorite dynamic tool in FL Studio, the Fruity Limiter. īeyond the threshold, there are many other controls you can use to determine exactly how your compressor will behave. The basic idea of compression is that it reduces the volume of a signal once that signal passes a specified threshold. With a compressor, you attenuate the loud peaks in your track, which, in turn, boosts the quieter parts. ![]() If we left the dynamic range wide open like you would hear it in real life, it would be incredibly distracting, not to mention potentially painful. Let’s imagine for a second that we have a vocalist who whispers and screams during the same chorus. To help your audio signals sound natural on a recording without poking out of the speakers, reducing the dynamic range is important. The dynamic range is the difference between the softest and loudest parts of your audio signal. What Is Compression and Why Do I Need It?Ĭompression is an audio processing tool that reduces the dynamic range of a signal. In this article, we want to dive in and talk about finding the perfect compressions settings for your mixes! Of course, trying to break down a bit subject like compression can be quite difficult, especially when you realize how many controls there are. ![]() Compression is one of the most powerful tools in your mixing arsenal, and learning how to use a compressor properly is essential for mixing high-quality, radio-ready music. ![]()
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